INTERSTELLAR : Nolan masterstroke!

When Christopher Nolan makes a movie, you wait for it with great interest. He has never disappointed, never failed to intrigue and never failed to give you goosebumps with the way he finishes a movie. He is one of the most, if not the best, talented storytellers of our times. And he has invented new levels of complexity in storytelling every time he has made a film. Maybe the Dark Knight trilogy is the only time he really conformed to the accepted norms of making films for wide audiences. But, otherwise, he has always been one to break new ground with the sort of themes that he explores. Interstellar takes his experimental exploits to a whole new level.

In Interstellar  he weaves together concepts and emotions that can never be associated even in the wildest imaginations. He takes astrophysics, quantum mechanics, relativity, space-time distortions, black holes, worm holes, parallel dimensions, continuums, gravity and weaves them all into a deliciously complex narrative, and the thread that holds all these heavy concepts together into one solid story love, the love of a father for his daughter and his will to give her a good life.

We have seen movies about outer space, aliens, planets, apes, asteroids, comets, space expeditions,

satellites, space stations, and most recently space accidents, which Alfonso Cuaron so brilliantly told through Gravity. But, never has the science of outer space been taken so seriously in a movie. We are not talking jet propulsion and mechanics here, but quantum mechanics and relativity; the kind of stuff that Einstein and his peers like to deal with. It would have been a nightmare to conceive a script that has its foundations on these concepts, and yet Christopher Nolan (co written by Jonathan Nolan) manages to get through to audience about what he wants to convey. A brilliantly simple explanation about what a worm hole is all about is one such instant (now we all know what the worm hole from The Avengers might have been).

The premise is pretty straight and simple. Earth is no longer getting better for humans to live. The blight wants to take over the earth and so if man wants to survive he better look for other places. NASA, long shut down, or so the world thought, had detected an anomaly in space time a long time ago and believed that answers for a new home lay on the other side of the hole. Now, they have the clues that came from probes that they sent long ago, and they need a team to go in and make sure.

It is difficult to sum up what Interstellar is all about because it encompasses so much. Be it the relativity on the planet that takes 7 earth years for every hour, be it the sheer desperation of a scientist to live that made him let down his entire team, maybe entire humanity itself, the sacrifice of a robot and an astronaut to get to the heart of a black hole so that they can find the answers necessary to save humanity. And most importantly, how ever second in a girl’s room is captured and laid out as a huge array to space time so that she can one day learn the answers that will save humanity. It is, above all, how a father’s love makes him find a way back to his daughter, and how she finds a way out for humanity.

Interstellar is outlandishly imaginative, some times even difficult to believe, but Nolan does not leave anything unexplained (except who‘THEY’ are?) The foundations of his story and screenplay are laid

on the complex theories of physics that we have heard about but never really understood. Some of it might appear plain impossible (like how a man can survive a fall through a black hole), but most of it is possible, even though not probable. And, it is brilliantly visualized showing the stoic beauty of space and alien landscapes of planets that might be our homes in centuries to come. Even though it is touted as a space adventure, the pace and turning points of the script are never forced. In fact, Nolan spends almost the entire first hour setting up the premise, using nothing but drama and the father-daughter relation, before starting out on the interstellar adventure. That restraint shown in writing and making is the hallmark of a great film maker. That is not to say that Interstellar does not have its share of pop corn moments or melodrama; like the mobile docking of the ship to the station and the final meeting of father and daughter, but they are acceptable in an extremely well written piece that spans nearly 3 hours.

Interstellar is not one for passive viewing. It was written with much thought and it demands a similar effort from you while watching it. Looking at it as just another visual space adventure is a waste of time, as it gives you much to think about too, like how a scientist’s conscience might work in different situations, how time might just be another dimension in our universe which is there but cannot be seen, and about how love can sometimes be a compass that can guide us when all else seems lost. Interstellar demands you to travel with it, not be a mere spectator. And be sure, it is a journey worth taking. Its brilliantly complex writing and film making, which beautifully simplifies what many great scientists have meant over the decades.

And, yes Mathew Mc Conaughey, Anne Hathaway, Jessica Chastain are the lead cast, but the script overpowers their presence, and Matt Damon and Michael Caine turn out quite uncharacteristic to what they have done till now.

Interstellar: Don’t just watch – experience it

4/5